Sketches responding to François-Xavier Roth conducting the LSO playing music by Edwin Hillier, Rafael Marino, Robin Haigh and Rob Crehan. I began with observational sketches and then branched out into exploring how the music felt to me, and what I could imagine.
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As untitled fck mss s**gon play hits the UK stage, a British-born Chinese transqueerian tries to find some meaning in his late dad’s opera scores…
These notes are affectionate and nostalgic yet they conclude with reflections on cultural appropriation and the exotisation of Asian women in Puccini’s opera.
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